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You can also pick up the signal at any time and return it to the start.You can place two insertion effects at different points in the signal flow. The basic structure of Native Instruments MASSIVE Crack corresponds to the well-known paradigm of subtractive synthesis, which makes it easy to understand and at the same time guarantees that the signal flow is very flexible.For example, it can be used in combination with MASSIVE comb filters for a physical modeling approach to sound design. A noise generator provides an additional signal source that can be mixed with other signals, creating certain effects.It can be used for ring modulation, phase modulation (which looks like FM) and other modulation modes. Finally, a modulation oscillator can be used to vary the signal from the main oscillator. MASSIVE is supplied with 85 specially developed wave tables, each with a unique combination of waveforms and special sound properties.Of course, the “traces” are not limited to sawtooth waves or usual pulses. MASSIVE offers an unlimited number of these “tracks” in each wave table as well as two additional manipulation modes, which are relevant for the time and frequency settings.In the horizontal dimension, the reading speed curve of a single cycle can be processed in three different bending modes. In the vertical dimension, MASSIVE oscillators allow these tracks to merge seamlessly.One of the tracks contains a saw wave and the other a pulse wave. Think of a wave scanning oscillator as a multitrack sequencer. It combines the best sound quality with the greatest flexibility and controllability. The sound synthesis of native instruments massive Crack is based on a unique wave scanning algorithm implemented in three parallel oscillator modules.These are also the first eight parameters that are reported to a host when MASSIVE is used as a plug-in. These are targets for MIDI assignments that can be easily set using the MIDI learn function.

In addition, macro-controls are the main interface to other applications.

Macro commands essentially transform any sound into a series of possible sounds that transform seamlessly into each other.

Macro controls allow you to instantly and deeply customize all of MASSIVE’s presets without having to understand the technical structure of the sound.

For example, just turn the pace and watch how several underlying parameters change at the same time. A single controller can process multiple assignments.

All the important parameters of a sound are preconfigured and assigned to these controllers.

Macro commands from MASSIVE offer quick and direct control – they are automatically assigned to the eight macro commands for all KOMPLETE KONTROL S SERIES keyboards and all MASCHINE hardware.

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